May 7th, 2010 at 12:10am
I'm only three chapters in, and I'm rather confused. You have way too much imagery in your paragraphs, and it's confusing the hell out of me. I feel like everything is out in limbo. There are no concrete details for me to latch onto, so that I can keep this story in reality.
Take these paragraphs for instance:
"Black and white tiles spun beneath his feet as he stripped. Shone by neon, his skin seemed plastic, like his insides were kept hidden by a thin layer of tinted cellophane. Vertebrae joints poked through the pallor, following a steady pattern down the boy’s back, occasionally turning left and right as bones morphed into cartilage and back to bones to form a prison for a slowly beating heart.
Several tattoos stained the flawless wrapping, most of them unknown to everyone but to the boy looking back at Frank from the tall mirror. Wide, fogged, green eyes followed the wanderings of his hand as Frank’s counterpart in the mirror took notice of every single detail. Small hairs on the downside of Frank’s flat stomach yielded before the boy’s curious fingers as they took effort in drawing out every single indigo line that coursed beneath his skin. Blood gushed to the touched places and every nerve-receptor in his body screamed with uncertain feelings of pleasure and shame. Brain cells collided in electrifying shocks of confusion while Frank’s eyes studied the wreckage confined in a piece of reflecting glass hanging off his bathroom door."
Is Frank jacking off in the mirror?
Is he just looking at himself in disgust?
The comparison of his skin to tinted cellophane makes no sense to me. Cellophane is wholly transparent, even with a tint to it. To me, that's unorganized macabre. It's not very well placed, in terms of how Frank looks at himself. I can't even think of a suitable alternative.
I like this story, and I'll continue reading. I'll also subscribe, but I am thoroughly confused and rather annoyed at all the imagery and backwards descriptions. My biggest point is this: You must add concrete details for this story to make sense to the general audience. My guess is most of your readers are taking your writing style for brilliant writing. I agree, to an extent; Your writing is brilliant, but I'm getting weary of picking apart all the metaphors you've added into your descriptions. Every sentence can't be a metaphor. I'm getting bogged down with trying to work my way through every paragraph. It takes away from the interactions between the characters and jumbles up the story line.
I love the concept. What I've said here was just some friendly advice to keep in mind for future endeavours. :]
Sincerely,
Mae.
It's REALLY bad in my case, ahah.
If you wanna ask me about it or whatever just message me.
Oh, and I love the story. :)