Fault Lines - Comments

  • aubs

    aubs (420)

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    Filthy
    The amount of description in this chapter just blew me away. The author, which ever one it is, did a wonderful job in creating the scene and describing the characters. Not much was given away about Marcella and what she does, with the beating and killing and whatnot. I can guess, by what happened in the chapter, that she is either a gang leader or something like that. She makes the decisions and the other tend to follow her; the police were also involved, so I just assume that they aren't complete saints.

    I really like the mystery surrounding the chapter, As I said before, not much was said about them, which only leaves me with questions about who they are, what they have done to have someone go to the police, stuff like that.

    Toxic
    The exchange between Francesca and Giovanni was so secret. By just looking at each other, I felt that they were talking to each other. They seemed impatient, just waiting for the wine glass to be empty. It makes me wonder why on earth they wanted the man dead. Do they want his money? Will they get his company (if he has one, of course)? Who knows.

    Calm. That's the feeling I got from this chapter. Both of them were very calm, knowing what was going to happen, and have come to terms with what they were doing.
    Both chapters were very enjoyable to read because they introduced the characters very well. I can tell that they are involved in criminal stuff, especially Marcella. As for the other two, I couldn't tell too much since the poisoning was a secret, and can't really be traced back to them. It was just a freak accident to the others around them. I think this story is interesting and has potential to be something really awesome. Good work on this story so far!
    January 22nd, 2016 at 09:02pm
  • hiwagang hapis

    hiwagang hapis (1550)

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    Firstly, I noticed that in both chapters 1 and 2, you changed tenses often. From a present participle (or present tense), it became past tense or past participle (or vice versa). You kept changing from present to past often throughout the chapter.

    The smell of damp cement and gasoline clung to her nostrils and woven itself within the fabrics of her clothing.

    Woven and wove are two different things. The former is a past participle and the latter is simply in the past tense. Past participles are used with “have” or “be”. For example: Many hands were raised. In the sentence, raised becomes a past participle due to the use of were which is a verb in past tense.

    Marcella was seven when it happened, bright apricot flames illuminated and reflected from premature eyes.

    As for details, I feel like the story is merely telling rather than showing. In the first chapter, where there was an abundance of descriptions, there’s a lot of misplaced modifiers that made it hard to follow through the paragraph. The part underlined above is one of the misplaced modifiers I was talking about. It also doesn’t really describe what happened; there’s just this extremely vague idea of the event. Although a little ambiguity is good for a story, there are times when you can only put descriptions where they are needed.

    In the first chapter, there was an incredible lack in punctuation. Dialogues need to have a punctuation. Without punctuation in sentences, they become run-on sentences or just incomplete ones. There are some comma splices as well, although it’s purely a stylistic choice.

    Diction and details are two things that makes a story more interesting. Words can be and should be played with. There are a lot of ways to describe the color brown or how the dress fits in a body. There are many ways to describe movement and physical appearances. But you shouldn’t overly describe things; just leave enough for the reader’s imagination.

    The characters are bland, in my opinion. Give them more life! Be more specific in how you describe a character. The character’s surroundings can give a background on who they are as a person. Their past can also be described through the setting – where they are, what they’re doing, what they’re holding in their hands, what they’re feeling, etc. I, personally, like reading about how the character thinks. It makes me feel closer to them. Describing their movement and thoughts can be a way to make a character seem alive. In addition to that, you can move the plot forward with the things I’ve mentioned above.

    Thank you for writing this story! It has potential but a little proofreading and editing would help. You can drop by the Editing Hub in the forums if you want.
    January 22nd, 2016 at 04:26pm
  • Shirogane

    Shirogane (100)

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    Ooooooooooh! I definitely love both the layout and the summary! The layout is beautifully done, but still simple enough to not be a distraction. And the summary really pulls me in. It makes me excited to read this.

    Chapter One:
    Is the chapter title supposed to be Flithy or Filthy?

    I would like to point out the second sentence uses 'it' to refer to memories, but the better choice would have been to make it plural since you had it as such in the first sentence. It is a very interesting, if a little confusing start though. What burned down exactly? Was it a house, Marcella, something else?

    I am LOVING your descriptions! Good lord they are detailed and poignant and wonderful. I can picture everything so vividly! I do have to ask, where does this take place? Are they of a Spanish or similar origin? I noticed you used 'tío' which is why I ask.

    Oooooooh boy. The ending of chapter one is so stroking. It really makes me wonder exactly what is going on. I HAVE SO MANY QUESTIONS! On to Chapter Two!

    Chapter Two:
    This chapter has so much potential to be amazing and jaw-dropping, but it needs more descriptions. The sentences are too crisp and short. More detail should be added: interactions other than the sexual ones between Giovanni and Francesca, more dialogue, more hidden glances, more description in the death scene and maybe a larger shadow of what was to happen earlier in the chapter. The other thing to keep in mind is punctuation. Specifically commas. There are commas where a period should be, and there are commas missing from several parts. It's a good chapter overall, but it just needs more oomph.

    One thing both of you should keep in mind when writing is to stay consistent with the tense you write in. There was a lot of switching between present and past tense, even in the same sentence, so just watch out for it.

    Overall, this is a beautiful story with AMAZING potential. I'll be subscribing.
    January 22nd, 2016 at 01:14pm
  • hangsang.

    hangsang. (210)

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    Summary/Layout:
    I really love how simple the layout is as well as the summary. The summary gives some insight on what's going to happen simply by some dialogue. Sometimes it can be done and sometimes it can't, but I think you did a great job on it!

    Chapter One:
    From the very first paragraph I was intrigued. Your imagery is beautiful and I love how you opened up the story.
    Wow, that was an amazing start to the story. I'm definitely excited to see what's in store. I'm hoping to see what they are doing. Are they a gang? What does the woman's father have to do with everything and why was he a coward?

    Chapter Two:
    While the chapter was good, I would have loved to see more description. Perhaps more insight on the characters themselves? I found that I couldn't get emotionally involved. You definitely told what was going on rather than showing the reader. However, I'm curious to find out what all is going on. Both chapters left me really curious.

    I'm definitely excited to see where this goes. I didn't notice any mistakes in terms of spelling/grammar. I'm subscribing!
    January 21st, 2016 at 01:36am