August 2nd, 2011 at 07:04am
If you honestly think that Fritzl's case is the first case of someone being held for years away from civilization, then you're mistaken and if you think the Room is the first fictional piece to explore it, you'd also be wrong. Look up stories of feral children. The cases have occurred more often than we like to admit. Look up the short story 'Those Who Walk Away From Omelas'. Stories about abuse and mistreatment of people are not meant to be there to degrade the people that it actually happened to and the cases they're inspired by.
If you are telling me that artists can't and shouldn't make money off of things they experience in real life (first hand or second hand) then you probably take a long hard look at the world around you. Look at most horror movies. Psycho, Texas Chainsaw Massacre, Silence of the Lambs. What do all of these movies have in common? If you don't realize it, it's the fact that all of those movies used very specific details about the serial killer Ed Gein in forming the characters. Using details doesn't make someone a thief. Taking someone's entire life makes them a thief but let's face it. When you take aspects of REAL LIFE and the REAL WORLD, that wonderful and horrific, magical and preposterous world of ours, and put it into your work? It makes it more real. It makes it tangible. It's what makes those horrifying stories even more horrifying because they didn't make it up. Because it is possible and it's not just something you can ignore and push away and say, 'That would never happen'.
Oh and if Fritzl is really annoyed by that ONE detail being taken directly from her case, she can take a leaf out of America's playbook and sue the ever loving crap out of that writer.
But, I'm thinking they didn't go into the whole thing and yet I still wouldn't read it - life is sad enough without reading depressing things. xD