February 3rd, 2008 at 06:05am
honestly, I found this very confusing. And I hate saying that, because I say it so often. But I do, and i didn't want to not comment because of it. So I'm commenting.
That's 'cause you do... right?
- horsie890:
- O_o You make me sound like...like I really know what I'm doing...
O_o You make me sound like...like I really know what I'm doing...
- toilet paper:
- Not quite 3am, but 2:24. ;-) In the first chapter, I adored the use of flashbacks. When used well, they're an amazing literary device, and you know how they work. You incorporate the present with the past, and it is totally relevant... it follows on. The first line of each transition could easily be either tense, if it wasn't for the italics or obvious change of scene and situation. It may seem a bit silly to commend someone for good use of flashbacks, but too many times have I seen people totally abuse the idea with irrelevant, boring or abnormally stupid (and not even funny) flashbacks; poorly written, of course. I loved the way in which it followed on. Bob's death wasn't immediately thrown at us, but you worked up to it, leaving more shock at the realisation. It was interesting to see the state of Frank and Gerard as they spoke to each other. Gerard's behaviour screamed mental instability, but in a subtle way. There was no "and then he bounced off the walls with a razor blade", and he was fully aware. I loved the way in which you showed how bitter and full of hate Gerard was. Too often is he seen as the injured party, with no unattractive emotion getting in the way of his "perfect yet hurt" personality. Yes, the reader sympathises, but we don't roll our eyes in how pathetic it all is. It's far more realistic. Ray's death was another shock, and again - it wasn't thrown at us. The flashback came, and then came the relevant point; that one was very well done, actually. Although, it caused a question to form in my mind; no longer were the beautiful and emotional descriptions causing me to enjoy?" the story, but this one thought: "why the fuck are MCR dying? Who's to blame The description of the perfect day instantly led me to believe something was terribly wrong, as it would. But, in all honesty, I'm not too sure I liked it. It was a brilliant description, no doubt about it, but the device is so overused. It creates instant unease. Although, I grew to accept it when I found out that the obvious answer of Frank being found dead wasn't being used. Instead, it was something much more sinister. I'd never expected it to be Frank's doing, but once it was spelled out (well, not quite, but when Gerard found him a state in a wrapper filled room), it all made sense. The signs were there, but so cleverly hidden. I commend any writer who can pull this off. As in, I seriously respect them; crime is a bitch to write, but when done well, it's one of the most gripping forms of literature. Although, I knew straight away that Frank would kill himself along with the other members. It's a very typical device for this sort of fanfic, but an outcome that made the story more special. It just wouldn't have worked if Frank survived; the suicide was necessary, and your skills managed to pull it off anyway. I didn't realise how overused that outcome is until I'd gone over the plot in my head. All in all, I liked it very much. You write in a very classic way... it's descriptive, but not purple prose. Easy to follow, but with that special flair that makes a story a story. That quality that sets it apart from everyday writing, and turns it into an art.
i have a question... but it might ruin the ending for your other readers for other stories... so.. i shall appreciate the private message.
very well written and just really, really fucked up. loved it.